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Folks:
The posting below looks at the many uses of a course (not teaching)
portfolio. It is from Chapter 1, Making Teaching and Learning
Visible in the book by the same name written by Daniel Bernstein,
University of Kansas amd Amy Nelson Burnett, Amy Goodburn, and
Paul Savory, University of Nebraska-Lincoln. Anker Publishing
Company, Inc., 563 Main Street, P.O. Box 249, Bolton, MA 01740-0249
USA. [www.ankerpub.com].
Copyright © 2006 by Anker Publishing Company, Inc. All rights
reserved. ISBN 1-882982-96-7
Regards,
Rick Reis
reis@stanford.edu
UP NEXT: On Journal Rejection
Tomorrow's Teaching and Learning
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The Value of Writing a Course Portfolio
For most teachers, starting to explore students' learning can
be a bit daunting. You ask yourself some tough questions: Are
my students truly learning what I think I am teaching them? Am
I meeting my course goals? Are my course goals right for this
course? Is the work that students do having my impact on their
learning? Do the materials I have chosen build connections and
perspective?
Where do you look for the answers to these questions? You might
turn on your computer, collect all of your course notes on your
desk, and grab a stack of student papers that you have just finished
grading. But you would probably find yourself wondering how to
get started. Even though over the years you have given much thought
to your course, this is probably the first time you have ever
tried to create a written document that makes visible the intellectual
effort you put into designing it and measuring its impact on student
learning.
You are not along. A professor of art and art history found herself
in a similar predicament:
I am a new teacher and an untenured faculty member. I teach intuitively.
I go by how the class feels to me, and the overall atmosphere,
and the general level of student response. I have a plan for each
class day and I always vary it to respond to what arises in the
studio. I used to feel strongly that the methods I used in a given
situation were effective, but I never articulated why. I never
voluntarily used the word "pedagogy" and was quite sure
I would. I was insecure about the intellectual underpinnings of
my teaching and fearful I wouldn't be able to justify how I teach
if necessary.
After developing a course portfolio, she wrote, "I found
to my enormous relief that many of the methods I had chosen intuitively
are used by other teachers and that they even have a pedagogical
basis, which I am beginning to be able to articulate."
The course portfolio provides a framework within which you think
about your course design, ask yourself if your classroom practices
are working, and assess the level and range of student learning
that goes on in your classroom. Unlike a teaching portfolio, which
might summarize all of the courses that you teach, a course portfolio
is focused on a single course. More importantly, a course portfolio
seeks to minimize the wheelbarrow effect of simply collecting
all of your homework, handouts, and examinations into one unexamined
pile. Creating a portfolio for a single course can often be more
valuable than a broad teaching portfolio since it is a concise
and reflective document that can be shared with peers for their
review of what student learning looks like in your particular
course. For example, if you were to write portfolios on different
courses, the insights that you gained in your analysis of each
course could form the basis of the teaching statement that is
the core of the more substantial teaching portfolio.
What constitutes a course portfolio is as individual as the instructor
doing the teaching and the course being taught. Hutchings (1995)
describes three common elements of a course portfolio: 1) explanation
of the course design, 2) description of the enactment or implementation
of the design, and 3) analysis of student learning resulting from
the first two dimensions. Our model of a portfolio is similar
and consists of the following essential parts:
* A reflective discussion of the content and goals of your course
* A description of your plans to accomplish key objectives in
student learning
* Evidence, assessment, and evaluation of student achievement
of these goals
* A reflective narrative on the relation among the above three
elements
The raw material for the course portfolio is a set of three memos
that you write about your course and that you then draw from to
create a finished course portfolio that summarizes and analyzes
student learning. The course portfolio emerges through the aggregation
of the three memos about goals, methods, and learning. The faculty
member's reflection on the relations among those elements is the
connecting material that holds the portfolio together.
In this book we present models for two types of course portfolios:
a benchmark course portfolio and an inquiry course portfolio.
Each of these portfolio models offers a structure for exploring,
reflecting on, and documenting a course. A benchmark portfolio
presents a snapshot of your students' learning that occurs in
one of your courses. This portfolio enables you to document your
current teaching practices and to generate questions about your
teaching that you would like to investigate further. An inquiry
portfolio is useful for documenting improvement in teaching your
course over time and for assessing the long-term impact of teaching
changes, the success of teaching approaches, and the improvement
in student learning. This inquiry process often moves teachers
toward scholarship-of-teaching questions in their disciplines.
In general, most instructors find it valuable to begin making
their teaching visible through writing a benchmark portfolio.
In subsequent offerings of the course, you might document the
results of course changes with an inquiry portfolio.
You might be thinking, "Generate questions for further investigation?
Document improvement over time? Looking at long-term impact of
teaching changes? I don't want to become an educational researcher.
I simply want to see if my students are learning what I think
they are learning." This concern is common. But our model
for course portfolios has been used by hundreds of teachers from
numerous disciplines to provide a foundation on which to explore
student learning. While these teachers had different teaching
objectives and valued different forms of teaching, all of them
found this process useful for thinking about their students' learning
in a structured and systematic way. For example, a professor of
English observes:
Having a structure for reflecting on my course has been very
useful for me. I have found that
ordinarily after I finish a class I might have some thoughts about
it-what happened and what I
could do better in presenting the materials. Ideally after every
semester I'd write these down,
though in reality only occasionally have I ever taken the extra
effort. The course portfolio
framework has allowed me to think more systematically about my
course and the activities that
were happening in the classroom. Having to write about it and
then share my writing with peers
really forced me to look very closely at the things I was doing.
According to a professor of political science,
Writing a portfolio required me to be very conscious about how
I was designing a syllabus, how I was evaluating students, and
how I was approaching my teaching. It serves as a foundation on
which my colleagues and I often start discussions about teaching
and learning.
A professor of agronomy and horticulture emphasizes the variety
of ways that a portfolio can be useful:
As I was describing the purpose and activities of the portfolio
development profession to a colleague, I related that the process
can serve many purposes, e.g., the creation of a course portfolio,
documentation of teaching activities for promotion and tenure,
a troubleshooting tool to assist in retooling an older or troubled
course, but to me, it principally is a vehicle for an instructor
to assess whether they are really teaching what they think they
are teaching. I see it as more of a process than a product.
As these three teachers suggest, the process of creating a portfolio
is often as valuable-or even more valuable-than the actual "product"
generated in the end. While we agree that not all teachers need
to be educational researchers, we do believe that if we want our
students to be engaged in their learning, we ourselves need to
be systematically and continually engaged in our teaching. Writing
a course portfolio will help you become a better teacher, enhancing
the classroom experience for current and future student learners
not only in the course you are profiling but in all your courses.
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