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Folks:
The posting gives some excellent tips of giving a research presentation
during the campus interview. It is from Chapter 3 The screen test,
in Job Search in Academe: Strategic Rhetoric for Faculty Job Candidates,
by Dawn M. Formo and Cheryl Reed. Stylus Publishing, LLC, http://www.styluspub.com/Copyright
© 1999 Stylus Publishing, Published by Stylus Publishing,
LLC, 22883 Quicksilver Drive, Sterling, VA 20166-2012. ISBN I-57922-010-x
(cloth). ISBN I-57922-011-8 (paper). All rights reserved. Reprinted
with permission.
Regards,
Rick Reis
reis@stanford.edu
UP NEXT: Benefits of Learning Teams
Tomorrow's Graduate Students and Postdocs
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Campus Interview - The Research Presentation
Contrary to what we just told you about the teaching presentation,
the research presentation is precisely the moment where an excerpt
from your dissertation is most appropriate. Your audience purports
to be exactly what it is-a gathering of colleagues. Use the research
presentation as an opportunity to showcase your skill at making
your research accessible and be sure to add tidbits of why this
line of research is ideal for this school. Assistant Professor
of Chemistry Jacqueline Trischman, for instance, suggested the
following, campus-specific references a candidate could cite in
the research presentation:
o The ready availability of proper instrumentation on-site.
o Low start-up costs for your type of research.
o Opportunities to involve undergraduates in research.
o The cutting edge aspects of your projects.
o Links to other departments.
If you've been giving conference presentations all along, you're
already accustomed to encapsulating bits of your research into
brief, discussion-provoking chunks that can be delivered orally.
You probably have your own system of marking key words in your
back-up text and for finding your place again once you've looked
up to make an extraneous point. You may have even practiced performing
multimedia presentations. Since your research presentation will
most likely be part of your dissertation, you will also have talked
about the material repeatedly, in different configurations, with
different audiences and varying intents as your writing developed.
So, you know your material quite well, and have already practiced
delivering it in public.
However, the rhetorical task of the research presentation is not
identical to the conference presentation. Whereas the conference
presentation aims only at getting information across and (when
things go well) generating a discussion with colleagues, the research
presentation is geared to showing something about your own professional
style, as well. Associate Professor of Management Regina Eisenbach
tells us that, in her discipline, candidates are expected to present
their scholarship at on-campus interviews. She encourages candidates
to focus on making the paper presentation interesting and accessible
to the widest range of potential hearers: from the undergraduate
with no coursework in the major to the senior faculty member in
the discipline. As Eisenbach points out, candidates who are able
to make their research presentation accessible and interesting
to faculty and students alike are also demonstrating their teaching
skill. In other words, your research presentation should simultaneously
be a teaching moment.
One professor we interviewed offers a good example of a "teachable
moment" that occurred in one of her on-campus research presentation.
Just as she began to explain the significance of the data on the
overhead she presented, an audience member raised her hand to
point out an error in the data. The presenter admits to feeling
embarrassed at first, but says that she decided rather quickly
to use her typo as a teachable moment. She played into the comment
by saying, "I have made this presentation three times and
you are the first person to bring that error to my attention.
That error has implications for my analysis. Let me show you what
some those implications mean for my research results." Rather
than crumbling in chagrin or slinking off in utter failure, this
candidate took charge of seemingly being "caught out."
She showed how she could think on her feet, and how she could
teach through those awkward moments. Cheryl calls this a "good
save" when she teaches interviewing to her undergraduate
social science writers.
The best research presentations, then, show how teaching and research
connect. And, if you can draw community service into this mix
(as in, for example, a dissertation on professional issues backed
up by related service in the academy, as our contributor Alan
Kalish has done) you are way ahead of your competition. Since,
as we discussed above, your dissertation research will probably
already have generated several possible presentations for you,
your task in crafting the research presentation is adding that
personal/relational dimension to the intellectual content already
extant. How can you be personable, intellectual, and even entertaining
and still communicate vital information to a large group of people
in a short space of time?
Leonard Bernstein, the late conductor of the New York Philharmonic
Orchestra, was a master at this. His "Young People's Concerts,"
which spanned the late 50's through the early 70's, lured a generation
of children into thinking about tricky bits of musical "rhetoric"
such as intervals, modes, and bitonality. We strongly recommend
watching videotapes of these concerts, especially the later ones:
they demonstrate a clear, passionate, accessible presentation
of small scholarly treasures (see appendix 5 for titles). Bernstein
is clearly in love with his subject, his medium (the orchestra),
and his audience, and his obvious delight in drawing the three
together absolutely radiates from this tiny podium. Incredibly,
camera pans of the audience show that he has the rapt cooperation
of his small, squirmy auditors. What is he doing? What can you
do without a teleprompter and the New York Philharmonic to back
you up during your presentation?
How to "Conduct" Your Research Presentation
o Choose a manageable chunk of your complex subject to share
with your listeners. Don't try to get too much information in
too small a time slot. (Bernstein often took an entire hour's
program to explain one musical concept.)
o Choose material that you've used before, preferably that you've
presented in different conference and classroom settings.
o Present material you will enjoy talking about. Try to find
a part of your dissertation that you still accost people to talk
about at parties.
o Remember that people recall only a small portion of what they
hear; some researchers say information is only remembered once
it's been repeated five times. If you argument is really complex,
give your audience a painfully clear frame to hang it on.
o Prepare good notes, and refer to them when you need to, but
don't perform a formal "reading." (Bernstein left his
notes casually on the piano and, in later concerts, seemed to
use them only as launching points.)
o Back up your points with visual and experiential media (your
Philharmonic).
o Tie in complex ideas to ones your audience is already familiar
with. (Bernstein often-seemingly on impulse-leaned over the piano
and played a popular song or advertising jingle to illustrate
complex terms like the "mixolydian" mode.)
o Step into your role as "conductor." Rather than presenting
information in a linear path from you to your (ostensible) judges,
think about inviting the audience to participate in your enthusiasm
for a topic you've explored in some depth. Make your presentation
a communication triangle among your material, your media, and
your audience. If you relate only to your audience, you're relying
on the component of this triangle over which you have the least
control.
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